PRECEDENTS OF THE S.C.A. COLLEGE OF ARMS

The Tenure of Bruce Draconarius of Mistholme

Introduction

This collection of pages contains precedents and other relevant discussions from Baron Bruce Draconarius of Mistholme's tenure as Laurel, from the June, 1992 Symposium meeting through October, 1993.

I have tried to be reasonably consistent with the format of previous precedent collations, but some changes happened anyway. The biggest change was in the way the Laurel letters were referenced. Previously with each precedent the date of the Laurel letter and the page number was included. I have added the name attached to the relevant submission. I did so because now that the electronic versions of the Laurel letters are now available, a page number is insufficient to easily find the relevant entry. I have also included the month of the Laurel meeting with the date of the cover letters, to make it easier to find the original letter if so desired.

The categories used for the headings is my own, derived from previous collations, the subdivisions of the SCA ordinary, and my own philosophy. There is an extensive index to help find the right location. The index also includes cross references for relevant Rules for Submissions.

There is also a long bibliography [which is referenced from the citations in the text - MH]

As is standard, the text listed is taken directly from the Laurel letters. Comments within square brackets ([]) are mine. I use ellipses (...) to indicate deleted text, though I do not indicate text deleted from the beginning or end of a ruling. Words within angle brackets (<>) are also mine, where I replaced irrelevant specific charges or names with generic variants.

Some of the Bruce's rulings were very long, including useful information such as documentation from period sources. I did not want to exclude the information, but it was too unwieldy to include it more than once. So at several points, I list a short summary of the ruling with a reference to the full text.

The document is available in electronic form (in ASCII). Contact me at the address below to find out how to get a copy. Also send any comments or corrections to that address.

I wish to thank all those who helped me create this work; in particular, Bruce Draconarius of Mistholme, Da'ud ibn Auda, Irene von Schmetterling, Jaelle of Armida, Zenobia Naphtali, and probably a few others I have forgotten.

In service,
Elsbeth Anne Roth

c/o Kathy Van Stone
1817 Tyburn Lane
Pittsburgh, PA 15241
kvs@cs.cmu.edu

This document is also available in hard copy form from Free Trumpet Press West as item FT-77

Laurel King of Arms of the Society for Creative Anachronism
Covering the period June 1992 through October 1993
Compiled by Kathryn Van Stone
HTML markup and minor emendations by Michael Houghton
Combined into a single document and some HTML clean up and conversion to XHTML by Dave Weiner, September 2002
Copyright © 1995 by Kathy Van Stone


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Contents [A] [B] [C] [D] [E] [F] [G] [H] [I] [J] [K] [L] [M] [N] [O] [P] [R] [S] [T] [V] [W]

A List of Abbreviations are available, as well as an index


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ADMINISTRATIVE -- Misc


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When I accepted the Laurel post, I knew that eventually, inevitably, I'd overturn some policy or precedent of some previous Laurel. That didn't mean I'd go out of my way to look for precedents to overturn; it would just happen. Well, it just happened, at the July meeting; see the discussion on Mon, below. It will continue to happen; so I want to say a few words about the process.

In general, precedents are made during the consideration of a specific submission. The facts on hand at the time of that submission are weighed, balanced against external factors (e.g. SCA policy on, say, pretension), and a synthesis reached. The same is true for the overturning of precedent: it's triggered by a specific submission, which happens to involve a topic where the College has had problems in the recent past. It's not generally something a Laurel Sovereign plans.

For that reason, a new Laurel doesn't begin his tenure by announcing all the precedents he intends to overturn. He may not have any such intention; or he may not have identified the ones with which he disagrees, though he may have some vague ideas. I won't deny I've disagreed with some previous Laurel rulings --- as a regular commenter during the last seven years, I'd've been hard pressed not to disagree with some Laurel rulings. But I probably won't be moved to take action on those rulings until the issue is right under my nose, so to speak.

This may mean returning a submission that, under a previous Laurel's standards, might have been registerable. It's been suggested that this is unfair to the submitters, who won't know my opinion on certain issues until it's too late --- that, if I should overturn a precedent, the old precedent must still apply to the submission that sparked my decision. I can't accept this, for two reasons. First, my opinions on most matters are a matter of record (those seven years of commentary, again); they should come as no surprise to anyone who's been active long enough to become a Kingdom's submissions herald.

Second, I can't and won't tie Laurel's hands so completely. To quote a previous discussion on this point: "I feel we have an obligation to try to be fair to people whose submissions were en route at the time a change took place; but I also feel that this obligation is bidirectional. A certain amount of compromise is necessary on both sides. ...By exempting the submitter from the change he precipitates, we deny ourselves the right to correct mistakes until they have become irrevocable. By subjecting the submitter to the changes, we deny our role as a service organization. Neither extreme is acceptable as a universal solution." (LoAR cover letter of 29 Dec 85; emphasis mine.)

If the precedent being overturned is a fundamental tenet of our heraldic system, I'll exempt the submitter who sparked my action. But if my "overturning" is only a minor re-interpretation that doesn't change the Rule itself, I'll probably apply my new ruling to the submission at hand. Beyond that, I can't very well say in advance what precedents --- if any --- I may overturn; it will depend on what's submitted. (3 August, 1992 Cover Letter (July, 1992 LoAR), pg. 2)


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The Steward has recently reaffirmed that officers of the Corporation may correspond on computer bulletin boards -- but that they should be cautious in doing so, avoiding posting any message that might be taken as an Official Word. As warranted heralds are officers of the Corporation, the same stricture applies to us. I don't want to stop, or even hinder, anyone from participating in the dialogues on the nets, but they should do so as private individuals, not as members of the College of Arms. Any opinions expressed must be specifically and prominently marked as personal opinions, not as official CoA policy statements. (5 December, 1992 Cover Letter (October, 1992 LoAR), pg. 3)


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When Papworth's blazons contain ellipses [...], we assume that he simply didn't know the exact tinctures -- and in cases of possible conflict, we give the submitter the benefit of the doubt...

For the record, we'll probably extend our policy to Chesshyre & Woodcock's Dictionary of British Arms (the so-called "New Papworth"); since that work explicitly contains only devices, not badges, we can assume that a blazon with no tinctures listed shows a lack of knowledge (or perhaps the overzealousness of the compilers), not tinctureless armory. (Helena Gereman, October, 1992, pg. 9)


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At their April 93 meeting, the Board of Directors decided to accept my recommendation on how to prevent SCA members from being disadvantaged by non-members during the heraldic submission process. Corpora explicitly forbids us to consider the membership status of an armory's owner, once the armory is registered; the Board agreed that the only time a member's submission could be returned for conflict by a non-member's armory is when the two were considered at the same Laurel meeting. Beginning immediately, therefore, if two submissions at the same meeting are deemed to conflict, we will give preference to the submission from the paid member. If both submitters are (or aren't) paid members, then the first received takes priority, as before.

This gives an advantage to members' submissions, without requiring anyone to check every submitter's membership status. Laurel need only call the Registrar, on those rare occasions when membership becomes important; this happens seldom enough to impose no undue burden on Laurel, the Registrar, or the College.

I have two postscripts to this discussion, however. First, a survey of a typical Laurel meeting (Nov 92) showed something like 25% of all submissions being from non-members. (For one Kingdom, it was as high as 50%.) Our workload is constantly increasing, and we're always looking for ways to reduce it; one possible way is to limit submissions. Requiring membership remains a possible way of doing that, and would probably be more palatable than eliminating badge registration (to name another alternative). It's something to bear in mind, should the need ever arise.

Second, it remains true that we should at least encourage our submitters to become paid members of the Society; it's not unreasonable that those who take advantage of our services should help support the organization in which they apply. The College should achieve that goal through persuasion, rather than enforcement. We can begin by setting a good example: as officers of the Society, warranted heralds at every level are required to be paid members, which then puts us in a better position to explain the advantages of membership to others. (8 May, 1993 Cover Letter (March, 1993 LoAR), pg. 2)


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Japanese-style submissions should use the appropriate submission form for a device or badge. A "primary mon" is a device, and should be submitted on a device form, not a badge form. Once registered, the submitter may use the armory on any shape he chooses; but we have enough details to coordinate without also having to worry about whether a submission is or isn't a badge. The whole purpose of separate device and badge forms is to allow heralds at every level of the submission process to tell, at a glance, exactly what sort of armory is being submitted. Please cooperate with us by using them as they were intended. (8 May, 1993 Cover Letter (March, 1993 LoAR), pg. 3)


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I've recently received inquiries from a number of Society members --- none of them heralds, and from various Kingdoms --- asking questions like "when did the College of Arms start banning households?" or "how come So-and- So could register a badge when I can't?" They indicate to me that, in some places, "suggestions" about good style have become dictates.

This I find disturbing. While I know about (and usually encourage) diversity among the practices of the Known World, there are some things that should, for continuity's sake, remain constant. For the College of Arms, one such constant is in the Rules for Submission, including the Administrative Guidelines. These are equally applicable in all thirteen Kingdoms --- if only because every submitter has the right to appeal to Laurel, over the heads of their Kingdom College.

The uniform application of our Rules is self-evident in cases of disallowed practices. If a Kingdom College, for instance, were to decide on its own that sable on gules had sufficient contrast, and forward submissions based on that decision, they'd quickly find themselves corrected. Certainly, none of the forwarded submissions would be registered, as the Rules now stand. Problems where a Kingdom permits disallowed practices are self-correcting at the Laurel level.

In cases of allowed practices, however, the need for uniformity of the Rules is less evident. A Kingdom might decide on its own to forbid a poor (but legal) heraldic practice --- say, forbid the use of compass stars or garden roses --- and the effect at the Laurel level would be the same as if that Kingdom had begun a massive education program and convinced its populace not to follow that practice. Thus, no corrections would be possible at the Laurel level --- until we start getting inquiries from submitters, as I have.

Everyone has a right to an opinion as to what the College should permit, or shouldn't permit. If your opinion's strong enough, you might try to persuade, convince, or gently discourage your submitters when they suggest something in poor-but-legal style. When a practice is permitted by the Administrative Guidelines, however, it's not the place of any individual Kingdom College to disallow it. If badges, household names, and alternate personae are permitted, they should be permitted to everyone, in every Kingdom. Those who disagree with any given practice are welcome to open debate within the SCA College of Arms --- and in the meantime, exercise their salesmanship with their clients. (24 July, 1993 Cover Letter (June, 1993 LoAR), pg. 6)


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A question has arisen during a recent request for reblazon: when should an armorial submission require a miniature emblazon in the LOI? Obviously, for any new armory, or change of armory, the miniature emblazon is mandatory. But what about transfers? blazon corrections? requests for reblazon?

Taking the last first, a request for reblazon --- that is, a request that the registered (and presumably correct) blazon be changed to suit the submitter's preference --- should include a miniature emblazon. The newly submitted blazon, like the original, must be checked for accuracy. The College can't do that without a miniature emblazon.

Blazon corrections are an issue of accuracy, rather than preference, and are thus a bit thornier. If the registered emblazon has some obvious error --- a tincture omitted, say, or a word misspelled --- then the correction need not include a miniature emblazon. On the other hand, it needn't be in a Letter of Intent, either; the proper forum for such a correction is a letter to Laurel, with a copy to Morsulus. More extensive changes, involving disagreements about the correct way to blazon a design ("That's not couped! The proper term is humetty."), should involve the entire College --- and so should be in a Letter of Intent, and should include a miniature emblazon.

Finally, when armory is transferred between submitters, we don't mandate miniature emblazons. The armory is already registered, after all; this is a purely administrative action. On the other hand, such a transfer is an excellent opportunity to improve an old SCA blazon; for that reason, I like to see the miniature emblazon for the armory being transferred, even though it's not mandatory.

The cue here is the extent to which the College of Arms is involved. Minor grammatical corrections involve the College little; major changes to the blazon, be they corrections or requests for reblazon, involve the College considerably. The latter, therefore, should include the emblazon for the College's perusal. (24 July, 1993 Cover Letter (June, 1993 LoAR), pp. 6-7)


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A number of submissions in the last few weeks have shown me that there's some confusion in the College of Arms about the petitions needed from SCA branches. Two points, in particular, need to be clarified:

First, petitions must accompany the name and device submissions (be they new, resubmission, or change) for any SCA branch up to Baronial status. The petition serves as a measure of the populace's support for the proposed group name and device. (Principalities and Kingdoms must likewise show evidence of popular support for name and device submissions; but as they're larger, taking petitions becomes an unwieldly process. Polls are more often used for Principality and Kingdom submissions.) Only the name and device of the group are required to be accompanied by a copy of the petition, per the Administrative Guidelines. The Laurel Office doesn't require petitions for such submissions as the names of Orders, populace badges, and the like; they're nice to get, of course, and Kingdom Colleges may choose to require petitions with such submissions, but they're not mandatory at the CoA level.

Second, the petition should state, very clearly, exactly what the petitioners approve. We had a recent submission where the petition said, simply, "Petition" --- followed by signatures. I assume that everyone was honest in this case, that the petition was meant as support for the group name, and that all the signers knew it; but for all one could tell from the paperwork, the petition could have been for ice cream to be served at the next fighting practice. As evidence of popular support for the submission, it wasn't worth much.

Petitions should include, at the top, the items the petitioners are expected to support: the name and/or device to be submitted. Only that way can the document be considered evidence of support for that particular submission. If nothing else, common sense would prevent anyone from signing a blank petition; that's as risky as signing a blank check. Let's take a little more care in the form of the petitions sent to the College from now on; please make sure that they say, in black and white, that the petitioners knew what they were supporting. (20 August, 1993 Cover Letter (July, 1993 LoAR), pg. 2)


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One of this month's submissions (Windwardshire) prompted some comments from, first, the Society Steward, and more recently, the new Society Seneschal. Their main concern was that a Kingdom's Seneschalate and College of Heralds should not be working at cross purposes: Kingdom Officers are empowered for the same purpose, the smooth running of the Kingdom --- and, ultimately, to facilitate the enjoyment of the Society's members.

The main concern here is with new or incipient groups. Duchess Sedalia, the Society Seneschal, spoke to me at Pennsic War about the issue: she was concerned that the College of Arms might register a name and device to a proto-group, only to have it dissolve away (but with the name and device protected in perpetuity). She wanted to know if there was some way wait until the group had proven itself before allowing them to register. I noted that many Kingdoms require an incipient group to have a name and device registered (or in the process) before they're considered official; moreover, if there's a problem with the name, it's far better to catch it early, when the group is new, not after they've used the name for years.

Both the Society Seneschal and I agree, however, on the need for communication between the Principal Herald and the Kingdom Seneschal. When a group first starts to form, the Seneschal should inform the Herald (so that advice can be offered on the new name and device, for instance). When a new group submits a name and device, the Herald should inform the Seneschal (who might know, from officers' reports, whether the group is viable or liable to soon disband). Duchess Sedalia agreed to send a plea to that effect to the Kingdom Seneschals; I in my turn am sending the plea to the College of Arms. If the Seneschal and the Herald simply keep each other informed, most of the potential problems concerning incipient group submissions will just fail to materialize. And isn't that a cheerful thought? (25 September, 1993 Cover Letter (August, 1993 LoAR), pp. 2-3)


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At their October meeting, the Board of Directors confirmed that, as with titles and forms of address, Laurel King of Arms has authority over the regalia of the SCA-wide orders. The next step will be the codification and publishing of current regalia standards, which task falls on Master Da'ud's shoulders ...(30 November, 1993 Cover Letter (September, 1993 LoAR), pg. 2)


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It is poor policy to give a canton, and an incipient canton at that, an heraldic title, but this is an internal matter for the kingdom involved. (East Kingdom, September, 1993, pg. 11)


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ADMINISTRATIVE -- Registrable Items


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I'd like to continue joint registration of household names and badges. My policy shall be that the first name on the submission be the main badge-holder --- who has the right to release, grant permission to conflict, etc. --- and the second name receive the cross-reference in the A&O. Moreover, to ensure that this confusion doesn't arise again, I propose to change the Section in the Administrative Handbook, Registerable Items: B.3, Household Names, to read:

"By convention, this designation is applied to the name of a group other than a Society branch or order, such as a household, guild, group fighting unit, etc. Such names may be registered either by an individual or by a Society branch, and armory may be associated with such names. In the case of a household registered by an individual, records dealing with the group's name or armory will be retained under the Primary Society Name of the group's designated representative; when the household is jointly registered by a couple, a cross-reference shall also be listed under the Primary Society Name of the other member of the couple."

The rest of the paragraph shall remain unchanged; and paragraphs D.3 and E.1 of the same Section shall be amended to refer to paragraph B.3, to include joint registration of fielded and fieldless badges as well as names. (3 August, 1992 Cover Letter (July, 1992 LoAR), pg. 2)


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The household name and badge were twice submitted on the LOI: once under [the submitter's] name, and once under the name of [another submitter]. Per our current policy on joint badge registration (LoAR cover letter of 3 Aug 92), one of these gentles must be designated the primary badge-holder. [Name and badge attached to other name and returned for unrelated reasons]. (Ursus Imminere (Jane Falada of Englewood), October, 1992, pg. 28)


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There's nothing to prevent an Order from having more than one badge; the Order of the Garter has multiple badges, and so does the SCA's Order of the Rose. (Barony of Caerthe, October, 1993, pg. 18)


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ADMINISTRATIVE -- Registration Limit


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While the current Rules and Administrative Guidelines do not explicitly permit a household to have multiple badges, neither do they explicitly prohibit it. After some thought, I've decided there's no reason a household shouldn't have as many badges as the Rules allow. Certainly, houses in period could have more than one badge --- a Scots clan, for instance, could have a crest-badge and a plant-badge. Our only restriction is that one person be the primary owner for all the household's badges --- which effectively limits the number of badges per household. (Yseult de Cherbourg, September, 1992, pg. 28)


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ADMINISTRATIVE -- Rule Changes


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Having read the discussions and commentary, I've decided to accept Lord Palimpsest's recommendations of 10 Dec 92, with some very minor changes to the examples. Thanks to all who lent their voices to the debate.

Rule X.4.a.i is amended to read:

X.4.a.i. Fieldless Difference --- A piece of fieldless armory automatically has one clear difference from any other armory, fielded or fieldless.
Tinctureless armory and Japanese mon are considered to be fieldless for this purpose

Rule VIII.4.c is amended to read:

VIII.4.c. Natural Depiction --- Excessively naturalistic use of otherwise acceptable charges may not be registered.
Excessively natural designs include those that depict animate objects in unheraldic postures, use several charges in their natural forms when heraldic equivalents exist, or overuse proper. Proper is allowed for natural flora and fauna when there is a widely understood default coloration for the charge so specified. It is not allowed if many people would have to look up the correct coloration, or if the Linnaean genus and species (or some other elaborate description) would be required to get it right. An elephant, a brown bear, or a tree could each be proper; a female American kestrel, a garden rose, or an Arctic fox in winter phase, could not.

(15 January, 1992 Cover Letter (November, 1992 LoAR), pg. 2)


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Lord Palimpsest, in his letter of 19 June 93, has formally recommended changing Rule X.2, the Difference of Primary Charge Rule, to extend (and clarify) the conditions under which it applies. I like his simplified wording, for the most part, but I believe it can be simplified even further if we note three facts:

  1. That a group of charges may contain any number of charges --- including one;
  2. That the phrase homogeneous charge group, indicating either a single charge or a group of identical charges (and requiring a new definition, either in the Rule or the Glossary), may be replaced with the self-explanatory group of identical charges if the above definition of "group" is observed;
  3. That a peripheral charge group is, in fact, a group of secondary charges; the phrase simply denotes a special class of secondaries, a class that can never be primaries, and that are automatically separate from any other secondary group in the same armory.

Rule X.2 is therefore amended to read as follows:

X.2 Difference of Primary Charges --- Simple armory does not conflict with other simple armory if the type of every primary charge is substantially changed.
This type of change was normally seen between complete strangers in blood, and wasn't usually used to indicate any form of cadency. For the purposes of this Rule, simple armory is defined by the following clauses. The word charge refers both to charged and uncharged charges unless it is specifically qualified; a group of charges may contain one or more charges.
a. Armory that has only a primary group of identical charges is simple armory.
Argent, a fess sable does not conflict with Argent, a lion rampant sable. Gules, on a pale argent three roses proper does not conflict with Gules, on a bend argent three roses proper. Or, three lozenges vert, each charged with a mullet argent does not conflict with Or, three billets vert, each charged with a mullet argent. Sable, a chevron Or does conflict with Sable, a chevron embattled Or, because the type of the primary charge group has not been substantially changed.
b. Armory that has only a group of uncharged primary charges is simple armory.
Per chevron gules and argent, three mullets counterchanged does not conflict with Per chevron gules and argent, two escallops and a roundel counterchanged. Azure, three maunches argent, each charged with a rose gules does conflict with Azure, two escallops and a heart argent, each charged with a rose gules, because the primary charges of the latter armory are neither identical nor uncharged. Per chevron gules and argent, three oak trees counterchanged does conflict with Per chevron gules and argent, three fir trees counterchanged, because the type of charge has not been substantially changed; it conflicts with Per chevron gules and argent, two mullets and a fir tree counterchanged because not all of the charges have been substantially changed.
c. Armory that has only a primary group of identical charges, accompanied only by a secondary group of identical charges, is simple armory.
Each of the following armories is simple: Argent, a chevron between three wolf's heads erased sable; Sable bezanty, three millrinds argent; Gules, a saltire between in fess two open scrolls argent, each charged with a pen sable;Vert, three gauntlets argent within a bordure Or semy-de-lys vert; Argent, a rose azure between flaunches gules; Sable, on a hand apaumy within an orle of martlets argent, a rose gules; and Argent, a greyhound courant and on a chief azure, a fleur-de-lys between two pheons argent. Gules, a fess argent charged with three mullets azure, all between three billets argent, each charged with a lozenge azure does not conflict with Gules, a chevron argent charged with three mullets azure, all between three billets argent, each charged with a lozenge azure, since both armories are simple. However, Vert, three gauntlets argent within a bordure Or semy-de-lys sable does conflict with Vert, two mullets and a clarion argent within a bordure Or semy-de-lys sable, because the latter is not simple: its primary charges are not identical. And Argent, a chevron between three wolf's heads erased sable, a chief gules does conflict with Argent, a fess between three wolf's heads erased sable, a chief gules, because neither armory is simple: the primary charge is accompanied by two groups of secondary charges.

This new wording also adds some further clarifying examples, and is more in line with our current definitions. In particular, it's more in line with our current definition of peripheral charge. I know there's been discussion in the commentary about whether peripheral charges can be primaries, whether they're always secondaries, whether they're always separate from other groups of secondaries, and so forth; some of the arguments presented are good, but I'm not yet persuaded to change our current definition of peripheral charges. If I were to change the current definition, it would require a more thorough overhaul of the Rules --- for instance, we'd probably want to add a new category to X.4, "Addition of Peripheral Charges", analogous to the current X.4.c for overall charges --- and I'd prefer it be done after complete discussion, not as a side-issue to this update of the Difference of Primary Charge Rule.

I intend to begin implementation of the revised Rule X.2 at the October Laurel meeting. My thanks to all who participated in the discussion, and especially to Lord Palimpsest for coordinating it and synthesizing a final Rule from it. (24 July, 1993 Cover Letter (June, 1993 LoAR), pp. 2-3)


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ANNULET


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A number of commenters complained about the common use of annulets on fieldless badges, comparing them to bordures on devices (and, in some comments, granting no difference from bordures). I agree that annulets are added to SCA badges for the same reason bordures are added to SCA devices: to provide a quick, easy CD that doesn't greatly change the central design. Beyond that, annulets and bordures are quite different charges: the annulet is always round, where the bordure follows the outline of the display surface. The background shows on both sides of the annulet (even a fieldless badge is usually set against some background), but only on the inside of the bordure. A design may have multiple annulets, but only one bordure. And so forth.

If someone can present evidence that the use of annulets encircling other charges is non-period design, we can discuss the issue again. But as far as conflicts are concerned, an annulet and a bordure are separate charges. (Neil Greenstone, July, 1992, pg. 14)


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[A gurges vs. five annulets one within the other] As seen from the examples in Parker (p.299), Papworth (p.1122), a set of concentric annulets is simply an alternate method of drawing a gurges or whirlpool [therefore there is not a CD between them]. (Iago al Hasan, September, 1992, pg. 39)


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The consensus of the College was that a coiled match is visually too similar to an annulet to grant a CD between the two. (Kazimir Petrovich Pomeshanov, September, 1992, pg. 40)


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[On an annulet of flame sable an annulet Or] This submission engendered considerable discussion at the Symposium; many felt that the badge was post-period in style ...The full-sized emblazon did not show an annulet "fimbriated of flame", as some commenters described it, but a ring of fire charged with a gold annulet. The question was whether an annulet of flame was an acceptable motif. Our standards regarding charges made of flame have tightened over the years, but we still accept simple cases (the base of flame being the prime example). The annulet of flame seemed simple enough to accept, on a case-by-case basis. (Barony of Wiesenfeuer, June, 1993, pg. 3)


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ARACHNID -- Scorpion


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Crayfish, like lobsters and scorpions, are tergiant by default (Eckhardt zu Westfilde, October, 1993, pg. 6)


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ARACHNID -- Spider


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The black widow spider does not appear to have been known to period Europeans. It didn't even get the name until the early 20th Century; and it appears to have been introduced into America in the late 19th Century (from China, according to the best speculations). Without evidence that the black widow spider was known to period Europeans, it may not be registered. (Novia the Widow, July, 1992, pg. 20)


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[Order of Black Widows] While I concede that the words black and widow are period words, the phrase black widow is a modern construction. As with the Artemisian Tank Corps (returned Feb 91), though the parts of the name may be period, the name as a whole is decidedly modern. In previous appeals, the submitters have made clear that the Order's name specifically referred to the black widow spider; and that's certainly how the name will be perceived. No evidence has yet been produced that the spider was known to medieval Europeans, or even to anyone prior to the 19th Century. (It didn't even get the name black widow until the early 20th Century.) Without such evidence, we will not register the creature, by name or in armory. (Kingdom of Trimaris, October, 1992, pg. 33)


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ARCHITECTURE


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There's [not a CD] for castle vs. single-arched bridge. (John Quartermain, September, 1992, pg. 50)


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[A trilithon [type of dolmen] vs. a dolmen of three uprights capped by two lintels] Just as there is no difference between a tower and a castle, there is no difference between trilithons and "pentalithons". (Fiacha Suileach, January, 1993, pg. 31)


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ARM, HAND AND GUANTLET


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[A clenched gauntlet aversant] This is probably the least identifiable posture for a hand, glove or gauntlet; it's currently acceptable for SCA use, but only barely. Such charges were normally apaumy in period. (James Falconbridge, July, 1992, pg. 1)


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[Argent, a gauntlet gules] There was some concern whether this was too reminiscent of the Red Hand of Ulster, a prohibited charge in the SCA. It turns out that the Red Hand of Ulster was used as an augmentation, not as a main charge. We would certainly return a device that used a canton argent charged with a hand gules, and perhaps even a chief argent charged with a hand gules would be too suggestive; but the use of red hands, gloves, gauntlets, etc., on white backgrounds is not, in and of itself, cause for return. (Guillaume de la Rapiere, August, 1992, pg. 4)


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[a cubit arm gauntleted vs. an arm embowed and armored] After comparing the emblazons, we really couldn't grant a difference between an armored cubit arm and an armored arm. (Deryk von Halberstadt, August, 1992, pg. 31)


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[Argent, arms proper] The arms have insufficient contrast on the argent field. Human flesh "proper" was sometimes emblazoned as argent in period tomes; and in any case, carnation (pink) cannot be seen against white. (Simona Zon d'Asolo, September, 1992, pg. 51)


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[A dexter hand fesswise reversed, palm to chief, maintaining a flame] Some commenters wondered whether the central charge could be considered a hand of glory, which isn't permitted in Society heraldry. The hand of glory is essentially a hand on fire: it's usually seen apaumy, and issuant small flames (especially at its fingers). The hand shown in this submission is simply holding a flame, and is not a hand of glory [device returned for fimbriating the flame and for unidentifiability of the hand position]. (Deirdre Colintrie, March, 1993, pg. 23)


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[A foi] The charge in chief was blazoned on the LOI as two hands conjoined in fess. This would have had two default hands --- i.e. apaumy --- rather than the clasped hands shown. According to Lord Crescent, the motif of two hands clasped has an heraldic name: a foi, used in French blazons and possibly some English canting arms (Parker 305) (Lothar Freund, July, 1993, pg. 10)


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[A sinister mailed fist aversant grasping stalks of grain] This is clear of such armories as [a gauntlet]. The stalks of wheat are conceded to be worth no difference; neither is the distinction between dexter and sinister gauntlets, or for aversant vs. not aversant. However, I have to agree that the change from the default apaumy posture (i.e. with the fingers spread) to the clenched posture is worth a CD in this case. That, with the CD for fieldlessness, brings it clear. (Dietrich Kurneck von Hammerstein, August, 1993, pg. 2)


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ARRANGEMENT


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It has been ruled that an arch of charges is not period heraldic style. The ruling was originally for an arch of stars : "Stars surrounding only part of a charge is fantasy art." [BoE, 28 Sept 84] It has since been extended to any charges "in arch". (Michaela de Romeny, October, 1992, pg. 30)


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ARROW


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Arrows fesswise have their points to sinister by default, just as arrows palewise have their points to base. (Alain ap Dafydd, July, 1992, pg. 2)


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[A Maltese star cross] This ...conflicts with [six sets of arrow fletchings in annulo, points conjoined] ...the visual similarity is too great to permit a CD to be granted. (Elgar of Stonehaven, January, 1993, pg. 23)


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The arrow was drawn with small, nigh-invisible point and fletching, which has been reason for return ere now. If he uses an arrow in his resubmission, please instruct the client to draw it with large, visible fletching and point [returned for this and also for over-complexity] (Brychen Silverfist, May, 1993, pg. 17)


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ARTISTIC LICENSE


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A few of July's returns were for incorrect emblazonry: a charge was drawn in a non-period style, or couldn't be identified from the emblazon. The College can't be too fussy about emblazonry: most of our clients aren't skilled heraldic artists. But it remains true that charges must be drawn in a period, recognizable style.

At what point, then, will a problem emblazon be returned? When do we no longer feel comfortable with a simple instruction to "Draw the X wider (or bolder, or whatever)"? Several factors contribute to the decision, but the main factor is the recognizability of the submitted emblazon. If, say, a bordure is drawn too narrow, but still recognizably a bordure, I'll blame the problem on the submitter's lack of expertise --- and tell the submitter, through her Kingdom heralds, to "draw the charge correctly". But if the charge is so badly drawn as to be unrecognizable --- worse, as to be confused with some other charge --- then the submission must be returned. The policy already exists for some cases --- e.g. a pile vs. chaussé --- and I have extended it to arrows vs. any long skinny charge in this LoAR.

Modern-style drawings have the same problem of identifiability, with the additional problem of being screamingly non-medieval. This is why we insist that a unicorn be drawn as a medieval unicorn, and why the unicornate horse is banned: not only is the latter too easily confused with the horse, it's a 20th-Century rendition. If we wish to grant the period difference between unicorn and horse, we must insist on the period rendition --- which means returning unicornate horses.

Even when the modern-style drawing is identifiable, its intrusive modernity can be reason enough for return. Trian aspect, "pinking shear" lines of division, lightning flashes (shazams) --- all are non-medieval drawing styles, and all have been grounds for return in the past. Given my druthers, I'd prefer to encourage correct emblazon style through education, not regulation --- but pragmatically, I know that regulation drives the lesson home. (It took years of returning trian-aspect emblazons before our clients stopped submitting them.)

Our touchstone is this: If it can be mistaken for some other charge, it's drawn incorrectly. If it's a flagrantly modern depiction, it's drawn incorrectly. Either of these risks a return. [For examples see others in this section plus Thomas Britton, July, 1992, pg. 18, Aaron de Hameldene, July, 1992, pg. 20, Eirik Ising Stengrim, September, 1992, pg. 38, Jacobo Parige, September, 1992, pg. 43, Urluin le Garlykemongere, October, 1992, pg. 28, and John Wolfstan, January, 1993, pg. 24] (3 August, 1992 Cover Letter (July, 1992 LoAR), pg. 4)


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Eagles have ruffled feathers, and a crest atop the head; falcons are sleekly feathered. [device reblazoned] (Dun Fugol, July, 1992, pg. 10)


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Cotises should not be as wide as the ordinary they surround; their visual weight, as secondaries, should be much less than the primary's. (Gareth of Wyke, July, 1992, pg. 12)


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Portcullises in heraldic art are generally identified by their square grillwork and their dangling chains. Omitting one of those aspects might be dismissed as artistic license; omitting both of them renders the portcullises unidentifiable, and so unregisterable. (Bronwen O'Riordan, July, 1992, pg. 18)


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Charges must be drawn in their period form (per Rule VII.3), so that they can be identified (per Rule VIII.3). This is especially true when a wrongly drawn charge can be mistaken for some other charge (Federico Arcière dal Fióre, July, 1992, pg. 18)


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Nowing of the tongue ...must be considered artistic license, as is the exact style of nowing. (Morgan Etienne ap Gwalchmai Gwynedd, August, 1992, pg. 6)


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To several commenters the [water-bougets] seemed closer to torii or the Chinese character ch'ien. They are also within the variation seen for period water-bougets, though [overruled August, 1993, pg. 21] (Mochi of the Iron Horde, September, 1992, pg. 20)


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[A fess wavy with wave drawn with amplitude ‰1/4 wavelength] The wavy line was drawn too small to be considered a period rendition. Medieval wavy lines were drawn big, bold (so much that they were sometimes misblazoned nebuly by Victorian armorists). This must be returned for redrawing. (Dervilia O'Shannon, September, 1992, pg. 38)


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[Quarterly urdy azure and vert, a bear between <charges> with ‰ 20 "waves" across each side] The urdy line of division is drawn far too small, which would be reason for return even if the portions of the field had good contrast with one another. When the field is of two colors, the line of division is even more unidentifiable; when the line has a charge overall, more unidentifiable still. This must be returned, per Rule VIII.3. (Sigeferd Bjørnen, September, 1992, pg. 44)


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[A pile, with ‰14 indentations on each side] The indentations on the pile are too small to be considered good medieval style. For an example of a medieval pile indented, see the arms of Sire John de Forneus, 1322 (Foster, p.91). (Cailean McArdle, September, 1992, pg. 44)


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[Argent, two herons statant counter-statant in saltire, and a bordure flory azure] This is not really drawn in a period style. The ripples around the (couped) legs of the herons, and the Art Deco bordure that doesn't follow the line of the shield, combine to warrant a return for redrawing. (Ander Vargskinn, September, 1992, pg. 47)


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I hold identifiability to be the criterion for judging a submission, not necessarily the school of its style. So long as the hound is recognizably a hound, it may be drawn with suggestions of "Book of Kells" style; too many such suggestions, however, can make the hound unidentifiable, and be reason for return [device returned for unrelated reason]. (Connor Malcolm O'Maoilbhreanainn, September, 1992, pg. 52)


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[Counter-ermine] There was some debate as to whether the field should be blazoned Sable goutty d'eau inverted. However, examples have been produced showing this to be a valid depiction of ermine spots. It would probably be better, however, if the submitter could be introduced to more standard ermine stylizations. (Adnar Dionadair, October, 1992, pg. 11)


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Aspen leaves should be drawn with jagged edges ...not smooth edges. (Barony of Caerthe, October, 1992, pg. 16)


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The hounds are drawn with a strong "Book of Kells" stylization, which makes them difficult to identify; and though blazoned on the LOI as azure, they are in fact multi-colored in blue, green, red and yellow, again as in the Kells style. Motifs from period art must be used sparingly at best; if they interfere with identification, they become ipso facto non-heraldic, and reason for return. (Diarmait mac Alasdair Chaomhanaigh, October, 1992, pg. 32)


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We might excuse emblazonry problems with a note to the artist; but when all the charges of a submission must be redrawn, we have no compunction about returning it. (Osric Logan, November, 1992, pg. 15)


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The charge in chief was blazoned on the LOI as an eagle, but even allowing for beginner's artistry, we cannot call that bird an eagle: it has no crest, no hooked beak, and no ornate feathers. We have simply blazoned it as a generic bird; if the submitter wishes an eagle, he'll have to provide us with a correct emblazon. (Hereward Bannerban, December, 1992, pg. 4)


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[A sea-serpent "erect"] The sea-serpent is not drawn in a style that would allow it to be reproduced from the blazon: it isn't really erect, but muliply coiled and queue-fourchy. Although we allow a certain amount of artistic leeway, reproducibility from the blazon is a requirement. (Tyne of Lostwithiel, January, 1993, pg. 35)


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Please advise the submitter to draw the gem without its "glint" of light. The "glint" is an artistic conceit that's only found in the Pictorial Dictionary (and which I intend to remove from the next edition; too many submitters seem to think that glint is mandatory). (Ælfwynn Elswith, March, 1993, pg. 7)


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The Stafford knots were blazoned as inverted on the LOI. Having seen mundane examples of Stafford knots in both orientations --- and since we grant no difference for the orientation of most knots --- we've left the exact posture of the knots to the artist's license. (Ingrid the Crafty, May, 1993, pg. 10)


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In period, the normal depiction of a [charge] enflamed showed the charge on the field, with tiny spurts of flame issuant (and also on the field) [for full discussion, see under FLAME] (24 July, 1993 Cover Letter (June, 1993 LoAR), pg. 5)


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The cartouche was drawn in this submission with pointed ends, not the rounded ends normal for the charge. We've registered this variant form in the past, usually blazoned a cartouche with pointed ends; the technical term for the shape is mandorla, or amygdaline aureole. (Metford's Dictionary of Christian Lore and Legend) (Order of the Stella Rubra (Kingdom of Meridies), July, 1993, pg. 14)


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In heraldic art, the dove is drawn with a small tuft on its head, to promote identification. (Lisette de Ville, August, 1993, pg. 10)


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The charges on the bordure are not drawn as recognizable water-bougets. Some commenters felt they resembled torii, other described them as Chinese ideograms; but in fact they are none of the above. However, the lady submitted the charges in good faith, copying the depictions of water-bougets used in the armory of Mochi of the Iron Horde (registered Sept 92). At that time, I stated that the charges were within the acceptable variation of water-bougets found in period armorial art. Upon reviewing my sources, however, I now believe that statement to have been in error. The period water-bougets closest to this form are in the arms of Rose or Ross c.1265 (Anglo-Norman Armory I, p.68); but while the torii-like tops are the same, the bottom limbs of Rose's bougets spread out in the familiar "bag" shape which is characteristic of the charge. Without those bags, this rendition of a bouget simply doesn't hold water [as it were]. [Device pended for redrawing] (Kökejin of the Iron Horde, August, 1993, pg. 21)


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Mountains, as variants of mounts, should be emblazoned to occupy no more than the lower portion of the field. (Barony of Blackstone Mountain, September, 1993, pg. 10)


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AUGMENTATION


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Augmentations in Society armory should always be blazoned as such; the bearer has the option of displaying the armory with or without the augmentation, and conflict should be checked against both versions. (Rondallyn of Golgotha, September, 1992, pg. 26)


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[Gules, an elephant passant trumpeting, on a chief raguly argent two annulets gules, and for augmentation, in center chief an inescutcheon sable charged with an annulet Or.] We will allow augmentations to use quaternary charges in simple cases, such as this one. The blazon reflects the fact that the device may be displayed either with or without the augmentation; conflict should be checked against both forms. (Fiona Averylle of Maidenhead, October, 1992, pg. 13)


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AXE


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There was some question as to whether this serpent-entwined axe was too close to the rod of Aesclepius, a reserved charge; I decided that the prominent axe-head made it quite clearly not a rod of Aesclepius. (Olaf of Forgotten Sea, October, 1992, pg. 7)


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Lochaber axes have a defined heraldic form, characterized by a long curving haft ending in a hook (Parker 29). (Magnus Rothach, October, 1992, pg. 17)


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Berdiches ...are characterized by blades mounted at the center and bottom. (Magnus Rothach, October, 1992, pg. 17)


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BADGE -- Fieldless or Tinctureless


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The ermine spot is considered a single charge, and is acceptable for fieldless badges (Eduard Halidai, July, 1992, pg. 3)


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The heraldic heart is considered a heart, not a medium for armorial display (in the way an inescutcheon would be). [Thus it can bear a tertiary when it is the sole primary charge in a fieldless badge] (Fridrich Eisenhart, July, 1992, pg. 4)


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A couple of this month's returns (Rosario di Palermo, Thorvald Redhair) involved counting difference against tinctureless badges: badges with no defined coloration, either of the background or of the charges. Such badges are occasionally found in mundane armory (the Stafford knot being the classic example), and for a short while they were registered in the Society as well. For many years the College assumed that, because tinctureless badges had no defined tinctures, they could be displayed in any tinctures --- including party tinctures. As the 1982 Rules for Submission put it (Rule XII.8): "A fieldless badge without tinctures specified for its charges is even harder to register, as both field and tincture of charges are unavailable for obtaining the necessary points of difference." The "point of difference" for tincture was defined in Rules XIV.1 and 2 as "The tinctures and/or the partitions of the field" [XIV.1] or "charges" [XIV.2].

Even after we stopped registering tinctureless badges, the principle was retained (for fieldless badges) that unspecified coloration was granted no difference against party tinctures: "Since a fieldless badge may legitimately be displayed on a divided field, the field contributes no difference." [BoE, 20 Oct 85, p.22] The current Rules for Submission state (Rule X.4.d) that "Tinctureless armory may not count difference for tincture of charges"; and the same Rule defines "the tincture or division of any group of charges" as the same type of change, with at most 1 CD for all changes (coloration and division) to a single group. Lines of division are considered part of the tincture of a charge, as of a field; so tinctureless badges could not count difference for adding or removing lines of division on a charge.

Master Da'ud altered this policy somewhat, in his LoAR of Feb 92, p.10. SCA tinctureless badges would be treated as before; but mundane tinctureless badges would now be granted difference for lines of division on the charge. "The assumption (until proven otherwise) is that mundane badges were displayed only in solid tinctures (including the furs). It is therefore reasonable that the addition of a line of division should count for difference."

Evidence on the period display of tinctureless badges is hard to come by under the best of circumstances. Most period badges had a defined tincture (the black bull of Clarence, the red rose of Lancaster, the white swan of Bohun); many of the badges blazoned without tinctures in Fox-Davies' Heraldic Badges testify to Fox-Davies' lack of knowledge, not the tincturelessness of those badges. Once a truly tinctureless badge is identified, sufficient period examples of its display must then be found to give a good indication of the limits to that display. Even combining the Laurel library with my own personal library, such examples are extremely limited.

I have nonetheless managed to find instances of tinctureless armory displayed in divided tinctures. The badge of the Lords de la Warre is A crampet (that is, the metal ferrule at the end of a scabbard), commemorating the capture of the French king at Poictiers. My edition of Legh's Accedence of Armory, 1576, was originally owned by John, Lord de la Warre; he may have been one of Legh's patrons, for the de la Warre achievement and badges are prominently mentioned in the book. Legh gives the de la Warre badge as A crampet, and his illustration of it is colored Or. The frontispiece of the book, personalized by the original owner, likewise shows the de la Warre achievement and badges --- and the crampet is Party azure and argent. The same badge, tinctureless by definition, was borne either as solid metal or party metal and color.

This usage is corroborated by examples of tinctured badges whose charges were given a line of division when depicted in a tinctureless medium. The seal of William Innes, c.1295, showed his badge of A star azure with a gyronny line of division. The seal of Philip II of France, c.1200, showed his badge of A fleur-de-lys Or with a per-pale line of division. The usage may be seen at the end of period as well, with devices: the argent fess of Austria depicted Per pale, the gules cross of the Archdiocese of Trier depicted Gyronny, and the gules saltire of the Earldom of Lennox also depicted Gyronny. There's even a case (Sir Thomas Cecil, 1st Earl of Exeter) where a device that should have been party was depicted in the tinctureless medium without the line of division. Plainly, when rendering a charge in a tinctureless medium, any interior lines of division must have been considered artistic license --- and therefore worth no difference. (An excellent collection of seals may be found in Siegelkunde ("Sigillography"), by Wilhelm Ewald, 1914. Other sources for the above examples are Boutell's English Heraldry, 1902; von Volborth's Decorative Heraldry , 1908; and St.John-Hope's Heraldry for Craftsmen and Designers, 1929.)

Having different standards of conflict for SCA and mundane badges is awkward, to put it mildly. With evidence in hand that period tinctureless badges were depicted with party charges, I have decided to simplify the Rules and return to our previous policy. Henceforth, all tinctureless badges receive a CD for fieldlessness (tincturelessness), and the second necessary CD must come from some category of difference that doesn't involve tincture. As lines of division and partition are included as part of the tincture of a charge, per Rule X.4.d, they will not count for difference against tinctureless badges.

There've been some complaints about this ruling in the commentary, even before it was made --- and certainly before the complainers had heard the evidence. Apparently, there's a strong perception that the lines of a party charge are "structural", integral to the design; they are shown in an uncolored outline drawing of the badge; they separate tincture within the charge in the same way the charge's edge separates its tincture from the field's. By this interpretation, the charge's division should count for difference, even against a tinctureless badge. There's an equally valid perception, however, that a charge's division is simply part and parcel of its tincture; that between a crescent gules and a crescent per pale Or and argent is one change, not two, and that the division is a direct result of the choice of coloration; and that interior lines can be added at whim, and should not therefore count for difference. The examples cited above, and the Rules, both support the latter perception. Pending further research on this topic, that's the interpretation we'll follow. Against tinctureless armory, we will not count difference for lines of division --- either of the field, or of the charges. (10 November, 1992 Cover Letter (September, 1992 LoAR), pp. 5-6)


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Placement on the field cannot be counted against a fieldless badge. [See also Gawain Blackthorne, same letter, pg. 53] (Ariel de Courtenay, September, 1992, pg. 42)


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One can't grant difference for placement on the field against a fieldless badge. (Gawain Blackthorne, September, 1992, pg. 53)


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On a fieldless badge, charges cannot issue from the edge of the field; there is no field. (Yusuf Ja'bar al-Timbuktuwwi, October, 1992, pg. 24)


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Rule X.4.a.i is amended to read:

X.4.a.i. Fieldless Difference --- A piece of fieldless armory automatically has one clear difference from any other armory, fielded or fieldless.
Tinctureless armory and Japanese mon are considered to be fieldless for this purpose

(15 January, 1992 Cover Letter (November, 1992 LoAR), pg. 2)


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I've ...decided not to implement a comprehensive ban on fieldless badges with overall charges. I will be returning cases where the underlying charge is rendered unidentifiable, per Rule VIII.3; this will include the most egregious cases of overall charges (e.g. A pheon surmounted by a hawk's head). But this can be done as an interpretation of the current Rules, and needn't involve a new policy. In cases where identifiability is maintained --- where one of the charges is a long, slender object, and the area of intersection small --- overall charges will still be permitted in fieldless badges. [For complete discussion see under CHARGE -- Overall] (15 January, 1992 Cover Letter (November, 1992 LoAR), pg. 3)


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[A thistle purpure] was returned Feb 92 for conflict with the badge of Clan Stewart (Fox-Davies' Heraldic Badges , p.146): A thistle [proper]. At the time, it was assumed that the Stewart badge was tinctureless. However, in blazoning the Scots plant badges, Fox-Davies did not account for their most common use: as sprigs actually worn on the person. This makes the Scots plant badges' coloration proper in correct usage. The original submission was therefore returned in error; [the submittor] might consider resubmitting it. (Fionna Goodburne, December, 1992, pg. 19)


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[Two straight trumpets in saltire, surmounted by another palewise, the whole ensigned of a fleur-de-lys Nourrie between two lions combattant] Some commenters suggested that, because the charges were conjoined, they formed a single group. That isn't necessarily the case: A mullet within and conjoined to an annulet has an obvious primary charge surrounded by a secondary charge. As drawn here, the lions and fleur-de-lys appear to be a separate group from the trumpets; thus, this does not appear to be a group of three dissimilar types of charge (soi-disant "slot-machine heraldry"). Whether the badge's visual confusion is now at acceptable levels is a separate issue; absent any supporting arguments, this must still be considered unacceptably complex for a fieldless badge. A more standard arrangement of charges would probably solve this. [Badge returned also for presumption, see PRETENSE or PRESUMPTION] (Norrey Acadamie of Armorie (Taliesynne Nycheymwrh yr Anyghyfannedd), December, 1992, pg. 21)


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[Two wooden staves in saltire proper surmounted by a palmer's scrip or] This is acceptable under our current standards for overall charges in fieldless badges: the underlying charges are long and skinny, and readily identifiable. (Sean ua Neill the Staffmaker, March, 1993, pg. 17)


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If a charge can be considered a medium for heraldic display, it may not bear a tertiary in a fieldless badge: such a design is interpretable as a display of arms, with the tertiary as a primary. For instance, we don't permit (fieldless) On a lozenge argent a fleur-de-lys gules: since the lozenge is a medium for heraldic display, this looks like a display of Argent, a fleur-de-lys gules. Such arms-badge confusion is reason enough for return, even if the display in question doesn't conflict. In this case, the triangle inverted must be considered such a medium, comparable to the escutcheon, lozenge, or roundel. It may be considered either an early-style shield (Neubecker's Heraldry: Sources, Symbols and Meanings, p.76), or a lance-pennon [returned for this reason and also because the armory obtained by considering the badge displayed on a triangular shield was in conflict]. (Barony of Dragonsspine, March, 1993, pg. 25)


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The College does not register crests (LoAR of 20 Sept 81), partially to avoid having to decide who may or may not be entitled to them, and partially to save ourselves work. This submission is a crest by virtue of its being set atop a torse. (A joscelyn is simply a torse with bells added. On a "joscelyn fesswise", those bells are invisible, and count for nothing.) (Faustina von Schwarzwald, March, 1993, pg. 26)


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[A feather palewise surmounted by a gryphon's head] Fieldless badges may no longer use overall charges, except in cases where the overlap area is small; this is usually restricted to long, skinny charges such as a sword (LoAR cover letter of 15 Jan 93). As drawn [the feather is a wide as the gryphon's head minus the beak and ears], the feather in this badge doesn't meet that standard. (Order of the Golden Feather (Principality of Artemisia), May, 1993, pg. 14)


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[(Fieldless) A cubit arm proper issuant from the mouth of a fish's head couped close vert, maintaining a crescent gules] This was an appeal of a return on the LoAR of Sept 92. At the time, I'd judged the three charges to be of roughly equal visual weight, and considered this a single group of three dissimilar charges (so-called "slot- machine heraldry"). Such practice is in general disallowed, per Rule VIII.1.a. The appeal provided extensive documentation, intended to support the submitted design in specific and the use of three dissimilar charges in general.

Much of the documentation did not support the concept of three dissimilar charges in a single group: while the examples did show three types of charge, they generally weren't in the same group. (E.g. the badge of Nordham, c.1525: Within a fetterlock argent garnished Or, an escutcheon azure charged with a lion's head erased argent. By our definitions, the lion's head is not of the same group as the fetterlock or escutcheon --- and it's arguable whether they're in the same group.) Others of the examples, such as the rose-thistle-trefoil badge of the United Kingdom, were post-period

At least one of the examples cited, however, exactly matched the form of this submission: the badge of the Lord Chamberlain, c.1525, A cubit arm habited bendy sinister wavy of five pieces argent and azure and issuant out of a rose gules, the hand proper grasping an arrow. Additionally, it has been noted that Rule VIII.1.a describes the ban on "slot-machine heraldry" as a guideline, not an ironclad law. Finally, re-examination of the emblazon shows the crescent to be neither unarguably one of the primary charge group nor unarguably a negligible "held" charge; one could make a case for either ruling. Added to the mort of documentation, I have no qualms in now registering the badge (Simona Zon d'Asolo, August, 1993, pg. 12)


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Fieldless badges consisting only of forms of armorial display, such as escutcheons, lozenges and delfs, are not acceptable since in use the "shield" shape does not appear to be a charge, but rather the field itself. This presents an entirely different armory for view. (Stephen Wolfe, September, 1993, pg. 25)


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BADGE -- General


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For many years now, we've permitted couples to register household badges jointly, under both their names. One member of the couple was designated the main badge-holder, and the badge's blazon appeared under his/her name in the Armorial; but the badge was cross-referenced under the name of the couple's other half. (See, for instance, Rule AP5 of the 1986 Rules for Submission.)

Two such joint household badges were considered at the July meeting. It was noted in the commentary that the current Rules (1990 vintage) don't allow for joint registration: a household name and badge are specifically "retained under the Primary Society Name of the group's designated representative." I don't think this was deliberate, but was simply an oversight during the Rules revision; certainly, we've registered joint badges since then (e.g., the badge jointly registered to Jehan le Batarde and Ygraine of Preston, on the LoAR of Feb 92, p.8).

I'd like to continue joint registration of household names and badges. My policy shall be that the first name on the submission be the main badge-holder --- who has the right to release, grant permission to conflict, etc. --- and the second name receive the cross-reference in the A&O. Moreover, to ensure that this confusion doesn't arise again, I propose to change the Section in the Administrative Handbook, Registerable Items: B.3, Household Names, to read:

"By convention, this designation is applied to the name of a group other than a Society branch or order, such as a household, guild, group fighting unit, etc. Such names may be registered either by an individual or by a Society branch, and armory may be associated with such names. In the case of a household registered by an individual, records dealing with the group's name or armory will be retained under the Primary Society Name of the group's designated representative; when the household is jointly registered by a couple, a cross-reference shall also be listed under the Primary Society Name of the other member of the couple."

The rest of the paragraph shall remain unchanged; and paragraphs D.3 and E.1 of the same Section shall be amended to refer to paragraph B.3, to include joint registration of fielded and fieldless badges as well as names. (3 August, 1992 Cover Letter (July, 1992 LoAR), pg. 2)


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While the current Rules and Administrative Guidelines do not explicitly permit a household to have multiple badges, neither do they explicitly prohibit it. After some thought, I've decided there's no reason a household shouldn't have as many badges as the Rules allow. Certainly, houses in period could have more than one badge --- a Scots clan, for instance, could have a crest-badge and a plant-badge. Our only restriction is that one person be the primary owner for all the household's badges --- which effectively limits the number of badges per household. (Yseult de Cherbourg, September, 1992, pg. 28)


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The household name and badge were twice submitted on the LOI: once under [the submitter's] name, and once under the name of [another submitter]. Per our current policy on joint badge registration (LoAR cover letter of 3 Aug 92), one of these gentles must be designated the primary badge-holder. [Name and badge attached to other name and returned for unrelated reasons]. (Ursus Imminere (Jane Falada of Englewood), October, 1992, pg. 28)


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There have recently been some questions about Society branches registering badges to generic names: e.g. a badge for the Stonemarche Scribes' Guild, or for the Keeper of the Regalia of the Principality of the Sun. How are such generic names protected? Why do we register them?

To my mind, these are not names, not in the same style as Order names, household names, heraldic titles, and the like. A better term might be "job-description:" a simple declaration of the intended use of the badge. As such, we haven't held these to the same standards of conflict as other group names: for instance, both Caid and An Tir have badges registered to the Office of the Lists, without any infringement. If every branch officer who may can register a badge, then no one Kingdom may claim sole use of the name of the office; otherwise, only the West could have a Constable. By extension, the same holds true for other branch functions: Baronial Guard, King's Champion, Brewers' Guild, etc. So long as the badge is associated with a purely functional name, it's neither checked for conflict during submission or protected from conflict afterwards.

The key is for the name to be unarguably generic. Lyondemere Baronial Guard is functional, generic, and thus not held to conflict standards. The Lyondemere Levy, a deliberately alliterative name, is not generic, and must meet the normal name submission standards; once registered, it is then protected equally with Order names. (Notice that there are no generic Order names.) Generic names may only be registered by SCA branches, for common branch functions; but such generic names need not be checked for conflict, any more than the names of officers. (28 March, 1993 Cover Letter (January, 1993 LoAR), pg. 2)


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[A pheon inverted] Possible conflict was cited against the English Royal badge, (tinctureless) A broadarrow. Lord Lion's Blood has noted instances of the badge's use (e.g. the seal of the Royal Butlery, c.1330) where the broadarrow is inverted, and suggests that this is its defined orientation. Other (post-period) uses of the broadarrow show the charge in a variety of orientations: e.g., the clothing used by British prisoners until 1920 was marked with broadarrows --- essentially semy --- in random orientations. However, while the badge might be rotated in use, its default posture would be that of the charge itself, which would be point to base in English usage. (A close examination of the illustration of the Royal Butlery seal [Coat of Arms, July 56, p.93] suggests that it was printed upside down: the Latin inscription around the seal, which starts at its bottom, is depicted at the tope of the drawing.) Pending more definitive evidence, we will assume that the badge uses the charge in its default posture. Against this submission, we thus count a CD for fieldlessness (tincturelessness), and a CD for posture. (Eric Ward of Winchester, August, 1993, pg. 1)


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There's nothing to prevent an Order from having more than one badge; the Order of the Garter has multiple badges, and so does the SCA's Order of the Rose. (Barony of Caerthe, October, 1993, pg. 18)


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BEACON and BRAZIER


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There is a CD (at least) between a brazier and a beacon (Anastazia Winogrodzka, October, 1992, pg. 16)


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BEAST -- Antelope


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[An antelope vs. an ibex] According to Franklyn & Tanner (Encyclopaedic Dictionary of Heraldry, p. 179), "the heraldic ibex is indistinguishable from the heraldic antelope and may even be merely an alternative term." [Thus there is not a CD between them] (Alaric Liutpold von Steinman, September, 1992, pg. 37)


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[An antelope vs. a deer] I would grant a CD between a correctly drawn antelope and a deer; the two charges were distinct in period armory (unlike, say, the heraldic dolphin and the bottlenosed dolphin, between which we grant no difference). [Device returned for different conflict] (Alaric Liutpold von Steinman, September, 1992, pg. 37)


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The pronghorn antelope lives in the western United States; we have no evidence that it was known to period Europeans. Without such evidence, we cannot register the beast, or his attire. (Eoghan O'Neill, January, 1993, pg. 23)


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BEAST -- Bear


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[A bear sejant erect vs. a bear rampant or a bear erect] In each case, there's [not a CD] for the posture of the bear. (Henry of Three Needles, August, 1992, pg. 24)


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BEAST -- Boar


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[Boar's heads colored brown] Unfortunately, [this tincture is] unblazonable: they aren't proper, for boars in nature are dark-grey to black in color. Nor does there seem to be such a thing as a brown boar that could be rendered in this coloring. With no way to blazon the tincture of the heads, this must be returned. (Nils Rixon, October, 1992, pg. 27)


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BEAST -- Camel


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We agree there's a CD between a camel and an ypotril. (Guthfrith Yrlingsson, July, 1992, pg. 12)


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BEAST -- Cat, Lion and Tiger


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Tabby cats have no defined proper coloration. The Simon & Schuster Guide to Cats cites several different tinctures of tabby cat: silver tabby, cream tabby, blue tabby, brown tabby, and red tabby, among others. Without a fixed coloration, it cannot be blazoned "proper." (Bronwyn ferch Gwyn ap Rhys, July, 1992, pg. 9)


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The lion of St. Mark is characterized by a halo, as well as wings; it is usually, but not invariably, also shown with a book. (Vinycombe, Fictitious and Symbolic Creatures in Art, with special reference to their use in British heraldry, 1906, pp.53-55.) (Anastasia dello Scudo Rosso, September, 1992, pg. 44)


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The catamount proper is effectively Or (Roland de Mounteney, September, 1992, pg. 46)


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[A Bengal tiger vs. a catamount] The tiger's marking is worth no heraldic difference (Roland de Mounteney, September, 1992, pg. 46)


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[An ounce rampant Or spotted of diverse tinctures] The creature is not a panther, as blazoned on the LOI (for it isn't incensed of flame), but an ounce or maneless lion. As such, it gets no difference from a standard lion; and its spots here count for no more than the spots on any other spotted cat (e.g. a natural leopard). If she resubmits with a genuine panther, charged with large roundels --- better yet, with a Continental panther --- it should [be a CD from a lion]. (Alysandria of the Fosse Way, March, 1993, pg. 22)


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While the English default for panthers is guardant, the German default is not. As it's easier to specify guardant than not-guardant (facing forwards, whatever), the SCA has not adopted the English default. (Russell Jervis, September, 1993, pg. 4)


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[A lion Or vs. a Bengal tiger Or marked sable] There is no heraldic difference between a lion and a Bengal tiger, and no difference for the markings on the tiger. (Isabeau Celeste de la Valliére, October, 1993, pg. 18)


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BEAST -- Deer


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The moose of North America is the same beast as the elk of Europe (Alces malchis). The OED dates the term moose to 1613, within our 50-year "grey area" for documentation; so either term is acceptable in SCA blazonry. (Randulf von Gelnhausen, September, 1992, pg. 26)


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[An antelope vs. an ibex] According to Franklyn & Tanner ( Encyclopaedic Dictionary of Heraldry, p. 179), "the heraldic ibex is indistinguishable from the heraldic antelope and may even be merely an alternative term." [Thus there is not a CD between them] (Alaric Liutpold von Steinman, September, 1992, pg. 37)


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[An antelope vs. a deer] I would grant a CD between a correctly drawn antelope and a deer; the two charges were distinct in period armory (unlike, say, the heraldic dolphin and the bottlenosed dolphin, between which we grant no difference). [Device returned for different conflict] (Alaric Liutpold von Steinman, September, 1992, pg. 37)


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The adult male moose is darker in coloration than most cervids; its coat is almost black, and its antlers dark brown. (Harper & Row's Complete Field Guide to North American Wildlife, plate 63) The latter thus have sufficient contrast with this [ermine] field. (Erik Norton of Helsfjord, November, 1992, pg. 4)


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BEAST -- Demi


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[Per bend sinister, a demi-panther guardant and a demi-panther inverted guardant, both issuant from the line of division] The style of this device has been registered before (Dairine Mor Ó hUigin, April 89). Similar designs are found in late-period German armory, as in the arms of Burgkmair, 1516 (Per bend sinister Or and sable, the line in the form of two bear's heads interlocked, the one in base inverted); see von Volborth's Art of Heraldry, p.55. So long as there are no other complexities (e.g. other charges), the motif is acceptable for Society use. (Michael David of Aran Island, September, 1992, pg. 29)


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BEAST -- Dog, Fox, and Wolf


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The main difference between a wolf and an enfield is in the front legs; when one of the beasts is holding a charge with those legs, it becomes impossible to tell the two creatures apart. We cannot give a second CD for type of primary here. (Briana ni Óda, July, 1992, pg. 17)


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The Great Dane is a period breed of dog, according to Mistress Ammalynne's monograph in the Meridean Symposium Proceedings, 1982. (Kristoff McLain Cameron, August, 1992, pg. 5)


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Period devices did not generally blazon an exact breed of dog; they tended lateto be more generic (talbot, mastiff, alaunt, etc.). (Kristoff McLain Cameron, August, 1992, pg. 5)


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As a breed, Welsh corgies date back to the 12th Century, according to the Encyclopedia Britannica. (Rosalynde y Corgwyn, January, 1993, pg. 21)


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In general, period armory did not specify the type of dog used as charges, preferring to blazon them more generically (talbot, leveret, etc.). It's considered poor style in SCA armory, but permitted for known period breeds. (Tassine de Bretagne, January, 1993, pg. 29)


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The bouvier de Flandres does not seem to be a period breed of dog. According to Simon & Schuster's Guide to Dogs, #43, "There is no real agreement concerning the origin of this Franco-Belgian breed. Probably it was formed by crossing the griffon and the Beauceron..."; the griffon and Beauceron breeds, in turn, were developed in the 19th and 18th Centuries respectively. (Jean Philippe des Bouviers Noirs, August, 1993, pg. 18)


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To the best of our knowledge, period blazons did not specify an exact breed of dog; at best, they would describe a dog by its general characteristics (levrier) or for a cant (talbot). The SCA does permit known period breeds to be specified in blazon, but I consider the practice an anomaly or "weirdness"; another anomaly in the design ...might itself be sufficient grounds for return. (Jean Philippe des Bouviers Noirs, August, 1993, pg. 18)


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BEAST -- Horse


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There is at least a CD between a horse and a correctly drawn (i.e. medieval) unicorn (William Palfrey, September, 1992, pg. 14)


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Lord Crescent is correct in noting that the same rationale banning unicornate horses should also ban hornless unicorns [horses with lion's tail, cloven hooves and a beard]. In either case, the distinction between genuine horses and honest unicorns is blurred; if we wish to grant period difference between these charges, we must insist on period emblazons. (Parthalán MacPhail, August, 1993, pg. 16)


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BEAST -- Rabbit


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Hares, rabbits and coneys are sejant by default (Parker 306). (Donata Ivanovna Basistova, July, 1992, pg. 22)


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BEAST -- Rodent


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We have no evidence that the gopher was known to period Europeans: the OED, for instance, dates gopher in this context only to 1818. (There's also the Biblical gopher-wood, but that doesn't apply to this submission.) Since the gopher is a rodent from the North American plains, we can't automatically assume that it was known to period Europeans; we need some hard evidence before we can accept the charge. (Gerrich de la Foy, March, 1993, pg. 23)


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We have no evidence that chipmunks were known to period Europeans: the OED's first citation of the word is dated 1842 [device registered as problem was not noted in previous return]. (Anne de Silva, July, 1993, pg. 4)


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Hamsters were known in period: the OED cites the use of the term in 1602, well within our 50-year "grey area" of documentation. (Ammyra of House Mouse, October, 1993, pg. 8)


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BEAST -- Sheep


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[A musimon sable] The charge ...was submitted as a Jacob ram, a breed of sheep noted for its piebald coloration and double horns. (The name comes from a story in Genesis, chapter 30, where Jacob indulged in a remarkable feat of early genetic engineering.) Unfortunately, the breed dates only to the 18th Century; and since a Jacob's sheep is piebald by definition, it loses its distinctiveness when made a solid tincture, as here.

We've reblazoned this as the heraldic monster known as the musimon, defined to be a cross between a ram and a goat, with the horns of both. It is described in Guillim's


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As a rule, baby animals are not used in SCA heraldry: they're visually indistinguishable from adult animals, and period examples of their use are rare. Lambs appear to be an exception: not only is the Paschal lamb often found in period armory, but lambs were used for canting purposes (e.g. the arms of Lambert --- or the current submission). (Agnes Margaret de Grinstead, October, 1992, pg. 12)


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BEAST -- Urchin


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The urchin proper is...brown, with a white face and belly (Mairghread of Ryvel, August, 1992, pg. 16)


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BEAST -- Weasel


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[A ferret vs. an otter] There's ...nothing for [type of beast]. (Stevyn Gaoler, September, 1992, pg. 42)


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[A ferret statant erect vs. a mink rampant] There's nothing for ...posture. (Nadya Gornastaevna Chorkova, September, 1992, pg. 43)


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BELL


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We're willing to grant a CD between a bezant and a hawk's bell, although perhaps not Complete Difference of Charge. (Meurisse de Blois, January, 1993, pg. 20)


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BEND


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Neither the period discussions of Per bend bevilled nor an extrapolation from a bend bevilled would support the emblazon shown here; nor can it be accurately blazoned without resorting to barbarisms such as Per bend sinister bevilled fesswise. I'd be willing to accept Per bend (sinister) bevilled, as being one logical step from period evidence --- if drawn in a correct manner, with the middle "zag" palewise. The form shown here is two steps removed from the evidence, which is correspondingly harder to swallow. Given evidence that such bevilled fields were never used with charges, the whole becomes unacceptable. (Radulfr Arnason, August, 1992, pg. 25)


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The College's ban on the international "no" symbol (a bend and bordure gules in combination) only applies when the combination is actually used as a "no" symbol: surmounting the symbol of whatever's being forbidden. The bend-bordure combination is not banned when there is no underlying charge. In this case [Vairy, a bend and a bordure gules], since vair isn't a charge, we find no stylistic problems here [device returned for conflict]. (Chryse Raptes, January, 1993, pg. 32)


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BEND SINISTER


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[a <charges> and in sinister chief three bendlets] The device is excessivly imbalanced, which is not period heraldic style. A similar device (Penelope of the Quill, Vert, a quill pen bendwise and three bendlets enhanced Or) was returned Jan 92 for the same reason. [See also Keridwen of Caermarthen, same letter, pg. 53 (and below); the lowest bendlet in both cases issues from the center of the chief] (Brendan Hugh Guarin, September, 1992, pg. 37)


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[a bend sinister bevilled between in pale a skull and a skull inverted] The bend sinister in the device is not correctly drawn: it does not issue from the sinister chief, as the ordinary should, nor is it correctly bevilled [the two pieces of the bend sinister significantly overlap] (see the LoAR cover letter of 18 Sept 92 for a complete discussion on bevilling). Combined with the inversion of the lower skull, the whole device is unacceptably poor style. (Juan Sanchez Ramirez, September, 1992, pg. 45)


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[Three <charges> and three bendlets enhanced] The device is excessively imbalanced, which is not period heraldic style. A similar device (Penelope of the Quill, Vert, a quill pen bendwise and three bendlets enhanced Or) was returned Jan 92 for the same reason. [The submitter] might try putting another set of bendlets in sinister base to balance the design. [The lowest bendlet ussued from center chief] (Keridwen of Caermarthen, September, 1992, pg. 53)


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BILLET


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The billet is one of the charges used for armorial display, and thus (per Rule XI.4) may not be charged with more than one tertiary. This is especially true for fieldless badges, where such charged billets look like displays of independent armory. (See also the LoAR of 8 June 86, p.7.) (Tostig Logiosophia, September, 1992, pg. 42)


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BIRD -- CHICKEN


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The term dunghill cock means simply "rooster"; Parker, p.120, attests to its use in blazon. While dunghill may seem to be an unnecessary modifier, it is no more a problem than the modifiers in the terms domestic cat or sewing needle; it distinguishes the barnyard fowl from the moorcock and peacock; and it helps avoid some of the modern connotations of the unmodified term cock. (Artorius Conchobhar, June, 1993, pg. 4)


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BIRD -- Crow


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The Cornish chough proper is black with red beak and feet; like a sword proper, it's a shorthand description of heraldic tinctures, not a complex Linnaean depiction. (George of Mousehole, October, 1992, pg. 1)


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BIRD -- Dodo


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We can see granting a CD between a dodo and a parrot. (Brian of Leichester, January, 1993, pg. 10)


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BIRD -- Dove


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[An eagle close vs. a dove close] Prior Laurel precedent (LoAR of Nov 90, p.16) has granted no difference for bird type, when the birds are in identical postures. In this case, when the eagle isn't displayed, it loses most of the traits that let it be identified as an eagle. Almost the only such trait visible on an eagle close is its head crest --- and the heraldic dove has one, too. (Cecilia MacInnes, September, 1992, pg. 37)


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In heraldic art, the dove is drawn with a small tuft on its head, to promote identification. (Lisette de Ville, August, 1993, pg. 10)


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BIRD -- Duck, Goose, or Swan


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[Argent, a swan displayed sable] Against the ...possible conflicts cited (Argent, [some type of bird] displayed sable, etc.), I'd grant a CD between a swan and the birds in question. (Sveyn Egilsson, November, 1992, pg. 3)


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The heraldic swan is rousant by default. (Estrella de La Trinite, March, 1993, pg. 11)


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There is a CD ...for the difference between a goose and a swallow (though not between a goose and a generic bird